Mehdi-Georges Lahlou is the enfant terrible of an art that does not exist. Or not yet, since he is in the process of inventing it. How to be an artist of the interstice today, when navigating between north and south, between cultures, between several media, between multiple intertwined notions? "Do not see the problem through the wrong end of the telescope", is what he seems to (omit to) tell us...

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